By the mid-1980s, British metal pioneers Judas Priest seemed like they were running out of ideas, or at the very least, losing focus. 1986’s Turbo featured chirpy keyboards that sounded new wavey and 1988’s Ram It Down was slightly heavier, but marred by sub-par songwriting and out-of-place synths, and it featured an awful cover of Chuck Berry’s “Johnny B. Goode.” Just …
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